The Monkey House

After several years of not cooking, I’ve been getting back into it lately.  I think it has a lot to do with the fact that I have people to cook for.  In Chicago I was pretty much on my own and limited my culinary activities to making myself salads.  Now however, I have my grandmother and parents in close proximity and willing to eat whatever I prepare. 

 

My mother writes and self-publishes books about local history.  She’s planning a party in about two weeks to thank the people who helped her on her latest book.  Since she doesn’t like cooking and I do I’m going to be doing a lot of the food preparation.  The tea I went to on Halloween gave me some great ideas (glazed pumpkin scones, walnut bread with cream cheese and apple slices, pumpkin pie meringues) and I’ve also been watching Food Network for inspiration.

 

Last night I was watching a Halloween themed “Horror Cake Challenge” and I was surprised to see a familiar face.  One of the competing chefs was Michelle Garcia from Bleeding Heart Bakery.  Bleeding Heart is a funky organic bakery in Chicago.  They were originally located in the Ukrainian Village neighborhood right down the street from my sister’s place then a couple years ago they moved to Damen and Belmont, only a couple blocks from the Whole Foods where I worked.  Michelle occasionally came into the market.  She was easy to recognize with her pink dreadlocks and prominent tattoos of mixing bowls and egg beaters.  Unfortunately Michelle didn’t win the Challenge or the $10,000 prize but I always considered her to be a local celebrity of my Chicago days so it was ever so cool to see her on national TV. 

My parents and I went to a literary high tea with a Halloween theme yesterday. 

 

It was held at a church in Jordanville, a small town about 45 minutes from our home.  It started off with tea and a course of all different kinds of little sandwiches, and then a story was read a loud.  After that there was more tea and a course of scones.  This was followed by two more stories and finally a dessert course. 

 

The first story read was “The Most Haunted House” from Spooks of the Valley edited by Louis C. Jones, a legendary folklorist in our area who put together several books of local ghost stories he collected.  The second story was Shirley Jackson’s always chilling “The Lottery” and the final story was Roald Dahl’s darkly humorous “Lamb to the Slaughter”. 

 

I admit I was a little disappointed that only the first story dealt with supernatural horror but still, it was quite an enjoyable and unusual way to celebrate one of my favorite holidays.  Being me I didn’t eat anything but it was interesting to see all the different things that were served and I got some ideas for things to make for the book release party my mother holding later this month. 

I’ve deeply drawn to the films of Lars Von Tier. There’s something about his worldview that validates the pessimism about human nature that I feel as a chronic depressive. Stephan Rylance’s review of Von Tier’s lastest movie, AntiChrist, really clarified this aspect of Von Tier’s work for me.

The Agonies of an Antichrist by Stephan Rylance

On the liter side is “Truly, Truly Outragous”, an article on Samantha Newark who was the speaking voice of Jem (Britta Phillips was her singing voice) on the 1980’s cartoon series Jem and the Holograms. Jem was a great show and the interview addresses it’s gay appeal and even mentions fan fiction.

Truly, Truly Outrageous by Noah Michelson

During August and September when I was still working at the supermarket I developed a daily after work ritual—I’d put on the soundtrack to Inglourios Basterds and polish off an entire bottle of wine while playing Farmville on Facebook. It’s only been a little more than a month but I already feel a combination of horror and deep nostalgia for that time in my life. The soundtrack however I have only enthusiasm for. It was recently posted on The American Nightmare, a music blog I sometimes follow and I would strongly recommend it.

Inglorious Basterds Soundtrack at The American Nightmare

I just finished reading Cornelia Funke’s Inkheart.  It was really wonderful.  It’s the story of a twelve year old girl named Meggie whose life with her bookbinder father, Mo, is disrupted when Dustfinger, a charming but untrustworthy figure from her father’s past appears at their house one night with a mysterious warning.  Gradually, Meggie learns that her father has the power to read people and things into and out of books and that nine years before he brought the Dustfinger as well as the villainous Capricorn and his henchman Basta to this world while accidentally banishing his wife into the pages of a book titled Inkheart. 

 

Capricorn, who has established himself as a crime lord, is after Mo hoping to use the bookbinders magical gift for his own gain.  Kindhearted but deserate to return to his own world Dustfinger is sometimes helps, sometimes hinders Meggie and Mo.  Their other allies are Meggie’s great-aunt Elinor, a devoted book collector, Farid a boy Mo reads out of The Arabian Nights, and Fenoglio, the author of Inkheart.

 

While Capricorn and his henchmen are certainly evil-- ruthless brutes who cheerfully commit arson and murder—Funke is not afraid to make her heroes deeply ambiguous.  Dustfinger’s loyalties are always questionable, Farid has a fascination for fire that sometimes make it seem as though he would be more at home among Capricorn’s followers than his enemies, Elinor lives in and for books and has little use for people, Mo keeps secrets from his daughter, Meggie herself is possessive of her father to the point where she isn’t sure that she wants to see her mother returned from the pages of Inkheart and Fenoglio takes an almost megalomaniac pleasure in the face that the characters he created have come to life.  Far from detracting from them, these flaws make the characters seem more human and in the end, even more heroic.

 

Inkheart is an exciting adventure story but it is all about books and the way stories can transform and enrich the world.  Books have great power in the world of Inkheart.  On the most superficial level Meggie, Mo and Elinor all love and value books, both for their content and as physical objects while Capricorn and his men are largely illiterate and actually burn books yet it is not that clean cut.  Books are not without their dangers.  This is illustrated by Elinor’s distain of real people and general disconnect from life as well as by the fact that the villain of the piece, Capricorn, actually comes from a book.  It is not just Mo’s power but Fenoglio’s skill as a writer that allows Capricorn to come to life.  The worlds that books open are far from harmless. 

 

I felt like Funke was very brave in introducing themes that couldn’t be easily resolved.  The easy way is to say “books should never be burned, books can’t harm anyone.”  Funke says “books should never be burned, but books just might have the power to burn you.”

 

There are two more volumes in the Inkworld Trilogy as it’s called, Inkspell and Inkdeath.  I’m looking forward to going to the library and devouring them.


German and English editions of Inkheart

Whenever I’m confronted with a situation my first instinct is to curl up and die.  Luckily my second instinct is who get up, figure out what I have to do and do it so I managed to  work things out so I won’t have to go off my medication. 

 

I had enough Abilify (the most expensive of my meds) to last two weeks so ended up refilling my generic Prozac and getting then got two weeks worth of Cymbalta.  It wound up costing about $145.  Hopefully by the time I run out of everything my insurance company will have received and possessed my payment for October and November and I’ll be properly covered.

 

I have to say dealing with health insurance and trying to keep myself in meds is always good for a sleepless night. 

Title: Beneath the Wallpaper
Author: purplefluffycat
Fandom: Keeping Up Appearances (Britcom)
Pairing: Richard/Emmet
Rating: R
Words: About 3500
Warning: Infidelity (not that I blame the chap...)
Summary: Elizabeth acquires some new wallpaper; Richard is sent to investigate.

Notes: A fic to celebrate the founding of bucketresidence, with the 'characters' challenge, and for miss_morland, who asked for Richard/Emmet. Your wish is my command, my dear. ;-)



( Beneath the Wallpaper )

Title: The Unspecified Product
Author: PurpleFluffyCat
Fandom: Absolutely Fabulous (Britcom)
Rating: PG-15
Words: About 1600
Summary: Patsy and her past have an uneasy relationship...

Notes: Written for yuletide 2008 for strawberryroan, who asked for a Patsy-centric fic. I was a little surprised that a somewhat serious story came out of this comedy fandom, but, well... heigh ho...


( The Unspecified Product )

Title: The Progress of a Tear
Author: purplefluffycat
Pairings: Albus Dumbledore/Merfolk, Albus Dumbledore/Gellert Grindelwald, Albus Dumbledore/Elphias Doge (unrequited)
Rating: R
Warnings: Implied group sex, voyeurism
Words: ~1700
Summary: A distressed Albus Dumbledore is returned from the defeat of Grindelwald, August 1945. The tale of how he came to speak the language of the Merpeople.

Author's notes: Written for daily_deviant challenge, 'Coitus a unda aka undinism: sex in/under water'. I originally thought a crack!fic would be spawned from this prompt... but this one seems to have turned somewhat serious while I wasn't looking...


( The Progress of a Tear )

After a fair while with only little and patchy opportunity to partake in fandom, I'm now setting about some spring ('autumn'?) cleaning and collating. I've updated my user info, and will next be posting a number of fics I've written over the past ten months or so, but have not posted here - just to keep things tidy and all in one place :-)

So, starting off with some drabbles...

Title: Recruitment Strategies
Author: purplefluffycat
Characters/Pairing: Gellert, Abraxas, Severus, Lucius. Implied combinations thereof.
Rating: Um, PG-13 for implications, perhaps?
Words: 108
Notes: Written for mctabby's 'Cat's Birthday Drabblethon 5', for versus_janus, with the prompt, "A cheery merry Gellert breaks out of Nurmengard in '79 luring Snape and Abraxas to his cause.".

( Recruitment Strategies )



Title: Surrogacy
Author: purplefluffycat
Characters/Pairing: Severus/Remus, Crookshanks
Rating: G
Words: 128
Notes: Written for mctabby's 'Cat's Birthday Drabblethon 5', for bonfoi, with the prompt, "Remus/Severus, fearless, adopting a feline".

( Surrogacy )

I’ve come to expect that if something can go wrong with health insurance it will and it apparently has in the case of my COBRA plan.  I found out today when I was trying to refill my antidepressant prescriptions that it’ll be about two weeks till my coverage kicks in.  In the meantime I have to decide if I’m going to shell out around $800 for meds or go without. 

 

This situation is mainly my fault—I apparently misunderstood something in the 20 page COBRA starter packet—but still it seems like a really bad state of affairs that people have to face choices like this.  I’d like to see a world where you could get the medication you needed without going through huge bureaucratic hassles and/or spending a fortune.  I’m lucky of course.  Withdrawal from my cocktail of psycho-active drugs isn’t going to be pleasant and it’s certainly not medically advisable but I don’t know that anyone has ever died from going off Cymbalta, Prozac and Abilify.  I know there are people out there who face life and death choice with regards to medication.

 

I know there are many people who consider socialized medicine a terrible thing and are against President Obama’s proposed Healthcare reforms (my father is of this opinion as are several of my high school friends who I communicate with through Facebook).  I don’t want to belittle their views but However from my perspective, that of  an individual who doesn’t have a lot of money and suffers from a chronic medical condition, healthcare reform seems necessary and socialized medicine seems like a really great thing.

On Friday I went to an exhibit at the Fenimore Art Museum called “American’s Rome: Artists in the Eternal City 1800-1900 that spotlighted the Roman themed work of 19^th century American Artists. The exhibit included many painting of ruins and the commentary on these featured a quote from Nathaniel Hawthorne’s novel The Marble Faun that I really liked:

“(America is) a land where there is no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a common-place prosperity, in broad and simple daylight… Romance and poetry need Ruin to make them grow.”

Reading this I couldn’t help but add horror to Hawthorne’s list of ideas that require Ruin to thrive. Horror often mines ancient evils. Hawthorne himself looked back to his puritan ancestors in House of the Seven Gables and The Scarlet Letter. Later H. P. Lovecraft would create a dark New England of sinister in-bred ghouls and otherworldly terrors. Stephan King’s characters stir up paranormal discord by unearthing Indian burial grounds. America then does have its picturesque and gloomy wrongs, either uncovered or created, but I can see the appeal of European settings, of the “old world” and its imagery. Though it’s been tarnished by war, murder, injustice, evil and insanity America remains comparatively shiny and new.

In Alan Moore’s graphic novel From Hell there’s an amazing chapter where William Gull gives a tour of London spanning from druid times to the present day, revealing layer upon layer of history and mystery. It’s simply not possible to give such a tour of an American city. Because Native American culture and lore was essentially erased even the oldest parts of the country only go back a few centuries. The idea of a thousand or even two thousand years of documented, known, decaying history fascinates me.

It doesn’t surprise me that many of Edger Allen Poe’s most popular short stories are set in a mythical Europe and draw on centuries old imagery of the inquisition, skeleton filled catacombs and ancient family lineages. I thought of stories like The Pit and the Pendulum, Masque of the Red Death and The Fall of the House of Usher when I read Hawthorne’s quote.

I also thought of Hostel, a film I watched a couple of weeks ago for the first time. An extremely violent tale of American’s abroad who are lured to a hostel that provides victims for those willing to pay to murder and torture, Hostel was widely criticized when it was released for exploiting post-9/11 xenophobia and paranoia. Meditating on the quote by Hawthorne however I feel like it belongs in an older, gothic tradition where the American consciousness is mesmerized and frightened by the mystery and gloomy wrongs of an older world.

Maurice Sendak’s Where the Wild Things Are is one of those books that I’ve loved as both a little girl and a grown woman. Visually it appeals to me enormously, the illustrations are gorgeous, but beyond that I’ve always been fascinated by the story (simple and epic all at once), by Sendak’s sly sense of humor, by the sense of joy and the edge of darkness the book contains. In a lot of ways Where the Wild Things Are has always struck me as a story that works on a primeval, Jungian level charting the child’s process of identity building in a mythic fable. Growing up is like Max’s journey. You over step boundaries, you reject authority, you play with other roles and unacceptable behavior, you run amok but then hopefully you return your parents, your home, to love and safety and order.

I felt like Spike Jonze’s Where the Wild Things Are film did a really good job with the difficult task of adapting Sendak’s book. The movie is visually striking in its own right and doesn’t slight either the playfulness or the sometimes menacing edginess of the original.

Screenwriters Jonze and David Eggers stay true to the narrative outlines sketched by Sendak while fleshing out the story. We see a bit more of Max’s home life than the book shows. Nine year old Max (Max Records) is an extremely creative little boy with a rambunctious streak. His older sister can’t be bothered with him and his divorced, working mother loves and encourages him, but sometimes she kind of wants a life of her own. At school his science teacher talks about the sun dying. Wanting attention, confused, angry, sad and frightened all at once Max lashes out. First he trashes his sister’s room after her friends wreck the igloo he’s built. Then he behaves badly indeed when his mother has a (male) friend over for dinner, eventually biting her before he flees.

Max arrives in the world of the Wild Things to find one of them, Carol, in the process of breaking things. Max immediately identifies, as well he should. The Wild Things, especially Carol, are like giant, motherless children. Theirs is an id level world of joyful rough and tumble anarchy on one hand and frightening destructive violence on the other. Initially they consider eating Max but when he assures them he can do away with sadness and loneliness and make it so they’re happy all the time they make him their king. They all have wonderful, raucous fun together and Max sets them to work building the ultimate fort but the family of the Wild Things is no without it’s conflict and Max isn’t able to make them go away. Carol ultimately becomes as frustrated with Max as Max became with his mother and like Max lashes out.

The themes of the fallibility of authority figures and the currents of destructiveness that exist even in loving families are new to the film version of Where the Wild Things Are. There was a certain gleeful amorality to Sendak’s version but in the film it’s spelled out more clearly the ways Max grows through his experiences among the Wild Things—he returns because his time as king has taught him empathy for his mother.